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| SHIVA CONSCIOUSNESS |
Mobile Phones : 08717007839 , 8717007664
Email : virender.inexile@facebook.com
Facebook Page : https://www.facebook.com/virender.inexile
Tuesday, July 2, 2013
Art Works of Virender Sumbly
Art Work Of Virender Sumbly
Artist : Virender Sumbly
Mobile Phones : 08717007839 , 8717007664
Email : virender.inexile@facebook.com
Facebook Page : https://www.facebook.com/virender.inexile
Mobile Phones : 08717007839 , 8717007664
Email : virender.inexile@facebook.com
Facebook Page : https://www.facebook.com/virender.inexile
Wednesday, June 26, 2013
Respected Dr APJ Abdul Kalam
Avul Pakir Jainulabdeen Abdul Kalam born 15 October 1931 usually referred to as Dr. A. P. J. Abdul Kalam, is an Indian scientist and administrator who served as the 11th President of India from 2002 to 2007. Kalam was born and raised in Rameswaram, Tamil Nadu, studied physics at the St. Joseph's College, Tiruchirappalli, and aerospace engineering at the Madras Institute of Technology (MIT), Chennai.
Before his term as President, he worked as an aerospace engineer with Defence Research and Development Organisation (DRDO) and Indian Space Research Organisation (ISRO).Kalam is popularly known as the Missile Man of India for his work on the development of ballistic missile and launch vehicle technology.He played a pivotal organizational, technical and political role in India's Pokhran-II nuclear tests in 1998, the first since the original nuclear test by India in 1974. Some scientific experts have however called Kalam a man with no authority over nuclear physics but who just carried on the works of Homi J. Bhabha and Vikram Sarabhai.
Before his term as President, he worked as an aerospace engineer with Defence Research and Development Organisation (DRDO) and Indian Space Research Organisation (ISRO).Kalam is popularly known as the Missile Man of India for his work on the development of ballistic missile and launch vehicle technology.He played a pivotal organizational, technical and political role in India's Pokhran-II nuclear tests in 1998, the first since the original nuclear test by India in 1974. Some scientific experts have however called Kalam a man with no authority over nuclear physics but who just carried on the works of Homi J. Bhabha and Vikram Sarabhai.
Artist Shailesh Verma : http://www.facebook.com/photo.shailesh
Gopal Samantray Art Works
GopalSamantray was born in the village of Adhanga in Orissa in 1976. He is among those artists who have carved a niche of their own in the past few years. GopalSamantray’s creations attempt to address the gigantic problem of global warming. An onlooker always tends to stop for a second and think about it and thus his works always elicit a dialogue with the viewer.
Source : http://tadarts.in/artistdetail/gopal
Source : http://tadarts.in/artistdetail/gopal
Aanchal Wazir and Tuttu M Tomy
Art Works of Aanchal Wazir and Tuttu M Tomy
AanchalWazir and Tuttu M. Tomy work as a schizoid unit, as nouveau art machine, not enamoured by power and individuality, but fuelled and inspired by the all-consuming fire of love, the love for chaos, the love for speed, the love for God and Truth, and last but not the least, a ceaseless love for humanity.
Source : http://tadarts.in/artistdetail/aanchal%20wazir
Saturday, June 22, 2013
Art Works of Abir Karmarkar
Abir Karmakar was born in 1977 in Siliguri, West Bengal. He completed his Bachelor's degree in Visual Art from Rabindra Bharati University, Kolkata, in 2001, and then his Master's degree in Fine Art from the Faculty of Fine Arts at Maharaja Sayajirao University, Baroda, in 2003.
Source : http://tadarts.in/artistdetail/abir
Art Works of Anuj Kumar Poddar
Anuj Kumar Poddar was born in 1967 in Bokaro, Jharkand. He completed his BA in (FINE) painting from M S University, Vadodara. He uses glass extensively. He has showcased his works in various solo and group exhibitions in India and abroad – solo showing of artworks at Artcore, Vadodara (1996), Group Show, “Satyagrah”, Durban , Africa (2006), Group Show at Jehangir Art Gallery, Mumbai (1994), Group Show, “Time & Material”, The Stainless Gallery , New Delhi, Group Show, “Palletes from Heart”, Jehangir Art Gallery, Mumbai -- to name a few.
Source : http://tadarts.in/artistdetail/anuj
Friday, June 21, 2013
Art Works of Arunanshu Chowdhury
Born in 1969 in Hoogli, West Bengal,
Arunanshu Chowdhury studied art at the Faculty of Fine Arts, Maharaja
Sayajirao University of Baroda, acquiring both his Bachelor’s and
Master’s degrees in Fine Art there.
Source : http://tadarts.in/artistdetail/arunanshu
Art Work Of Anjana Mehra
Anjana Mehra’s body of work gives voice to the trials and tribulations faced by those who have been displaced from their homes during times of conflict. The plight of the innocent victims caught in the midst social, political and religious unrest is what Mehra attempts to depict in her large format canvases.
Source : http://tadarts.in/artistdetail/anjana
Thursday, June 6, 2013
Art Residency Program 2013
Residency begins - 1st August 2013
Residency duration - 3 months & 6 months
Number of artists to be selected in first batch - 6
Venue - Gurgaon & Delhi
LAST Date for accepting applications 5th July 2013
All artists interested please email your profile with images of your latest works to rukmini@tadarts.in
Tuesday, June 4, 2013
Chintan Upadhyay at Art and Ale Episode 2
The artist who jokingly referred to his newest work as ‘animal art,’ because he lets it decay naturally, explained how he wound up making models of babies and many site-specific works influenced by his humorous outlook on life, gregariousness and philosophical introspection. He chatted with Shana Maria Verghis
Chintan Upadhyay said that he was recently planning to hold a show of his work, using his house as the exhibition hall but the neighbors disagreed.
“There would have been too much crowding because some of the pieces were very big,” shared the artist, who has been working on the theme of ‘home’ for a while. “Funnily, this incident made me feel yet again that the idea of the home has a lot of implications and stories around it. An earlier work (still in progress) featured a house made from Britannia biscuits that he left unattended on the ground in the open. First the monkeys came. And then cows arrived. The structure was slowly demolished. Now I’m going to be doing something on the same lines and let rats and monkeys have a go,” he said with a grin.
“I call this ‘animal art’. I was pondering over the concept of ‘home’ because of personal reasons. When you build a house, the same thing happens in a different way. People consume the house from outside and within.”
Chintan was having a pow-wow with us after he had shared his process during the second session by TAD arts at The Pint Room where an artist and the audience interact. It was in the Ambience Mall, giving the session a live-buzz, as people trolled the area around. You could see them through the large glass windows that looked down on the floor below.
The poor mike system made it difficult to hear words clearly however. For a while now, Chintan who was born in Rajasthan during 1972, has been working on large sculptures and site-specific installations, but he said he plans to return to painting.
He took us through art that he has been creating from around 2002, after mentioning that artists are doing a lot of collaborations across the board–with scientists, with musicians.
“Such synthesis of the two is an idea of the time we live in. We’ve gone beyond this now. I, for instance have worked with craftspeople. When something like that happens, who am I? The artist generating an idea. Someone exploiting craftspeople. Collaboration is now taken to a different level.”
For a long time he has been using babies in his works. Large models of their bodies. Sometimes just heads. They aren’t just plain babies, but have various details on the surfaces. And when those change (the artist finds they are growing more detailed with the years), its in tandem with the world.
He reflected, “I don’t understand my own work sometimes. It took a while to realise why I was making the babies. I then realized I was replicating certain ideas about changing environment, and they were a by product of the time. They weren’t real and were constantly modifying. As I mulled, I realized Indians also have an obsession with babies — particularly male babies. I didn’t give the babies identity. They could have pink skin but be any country or character. I find there’s a parallel here with computers and systems. Technology is a form of a control system. The notion is that if one can control systems, one can control everything.” He continued, “It’s similar with food, ideas, genetics. My parents still think I’m a baby and want to control me. If you put a mobile in the baby’s hands, your thoughts turn to topics like consumption. All control systems are detached from nature. They are artificial environments, like this mall. Even the plants here might not be real.”
This probably explains why he has done a lot of site-specific work in rural areas, closer to nature. But initially he did paintings on sexuality and masculinity. He was stirred into it by the sight of couples in parks, and remarked to us, “Do you know Delhi has around thirty-two thousand parks, but there is not enough space in people’s homes?” He also superimposed traditional craft designs to large stamps painted with images of icons like Madhubala, James Dean. He has dealt with subjects like pollution of a river in Mumbai, and used a traditional Japanese game, Kaiawase, as an excuse to enter locals in Tokyo’s lives.
He doesn’t seem to think much about permanence of art, though, recalling an artist who hung a work on a tree. Next day it was missing. Locals had thrown it into the lake. “They found the rope holding it in place more valuable and took it away!”
Chintan Upadhyay said that he was recently planning to hold a show of his work, using his house as the exhibition hall but the neighbors disagreed.
“There would have been too much crowding because some of the pieces were very big,” shared the artist, who has been working on the theme of ‘home’ for a while. “Funnily, this incident made me feel yet again that the idea of the home has a lot of implications and stories around it. An earlier work (still in progress) featured a house made from Britannia biscuits that he left unattended on the ground in the open. First the monkeys came. And then cows arrived. The structure was slowly demolished. Now I’m going to be doing something on the same lines and let rats and monkeys have a go,” he said with a grin.
“I call this ‘animal art’. I was pondering over the concept of ‘home’ because of personal reasons. When you build a house, the same thing happens in a different way. People consume the house from outside and within.”
Chintan was having a pow-wow with us after he had shared his process during the second session by TAD arts at The Pint Room where an artist and the audience interact. It was in the Ambience Mall, giving the session a live-buzz, as people trolled the area around. You could see them through the large glass windows that looked down on the floor below.
The poor mike system made it difficult to hear words clearly however. For a while now, Chintan who was born in Rajasthan during 1972, has been working on large sculptures and site-specific installations, but he said he plans to return to painting.
He took us through art that he has been creating from around 2002, after mentioning that artists are doing a lot of collaborations across the board–with scientists, with musicians.
“Such synthesis of the two is an idea of the time we live in. We’ve gone beyond this now. I, for instance have worked with craftspeople. When something like that happens, who am I? The artist generating an idea. Someone exploiting craftspeople. Collaboration is now taken to a different level.”
For a long time he has been using babies in his works. Large models of their bodies. Sometimes just heads. They aren’t just plain babies, but have various details on the surfaces. And when those change (the artist finds they are growing more detailed with the years), its in tandem with the world.
He reflected, “I don’t understand my own work sometimes. It took a while to realise why I was making the babies. I then realized I was replicating certain ideas about changing environment, and they were a by product of the time. They weren’t real and were constantly modifying. As I mulled, I realized Indians also have an obsession with babies — particularly male babies. I didn’t give the babies identity. They could have pink skin but be any country or character. I find there’s a parallel here with computers and systems. Technology is a form of a control system. The notion is that if one can control systems, one can control everything.” He continued, “It’s similar with food, ideas, genetics. My parents still think I’m a baby and want to control me. If you put a mobile in the baby’s hands, your thoughts turn to topics like consumption. All control systems are detached from nature. They are artificial environments, like this mall. Even the plants here might not be real.”
This probably explains why he has done a lot of site-specific work in rural areas, closer to nature. But initially he did paintings on sexuality and masculinity. He was stirred into it by the sight of couples in parks, and remarked to us, “Do you know Delhi has around thirty-two thousand parks, but there is not enough space in people’s homes?” He also superimposed traditional craft designs to large stamps painted with images of icons like Madhubala, James Dean. He has dealt with subjects like pollution of a river in Mumbai, and used a traditional Japanese game, Kaiawase, as an excuse to enter locals in Tokyo’s lives.
He doesn’t seem to think much about permanence of art, though, recalling an artist who hung a work on a tree. Next day it was missing. Locals had thrown it into the lake. “They found the rope holding it in place more valuable and took it away!”
Paintings by Rohit Sharma
Rohit Sharma was born in Delhi in 1978. He completed his B.F.A. (Painting and Printing) from College of Art, New Delhi (1998-2002).
Source : http://tadarts.in/artistdetail/rohit
Monday, June 3, 2013
Paintings by Rajiv Puri
A chartered accountant by profession, Rajiv Puri completed his education in India and is currently based in Nigeria.
Source : http://tadarts.in/artistdetail/rajiv
Paintings by Kamar Alam
Known for his distinct portrayal of human form, Kamar Alam's works bring forth the emotions hidden beneath the surface, laying bare one's perception and fears or dreams of life.
Source : http://tadarts.in/artistdetail/kamar
Thursday, May 30, 2013
Paintings by Kazi Nasir
Check out the beautiful paintings by Kazi Nasir
Source : http://tadarts.in/artistdetail/kazi
Paintings by Suchit Sahni
Check out the beautiful paintings by Suchit Sahni
Source : http://tadarts.in/artistdetail/suchit
Ella Prakash Paintings
Beautiful Paintings by Ella Prakash at
Source : http://www.tadarts.in/artistdetail/ella
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| Ella Prakash |
Tuesday, May 28, 2013
Philippine contemporary Art
The Philippine cultural landmark that makes art accessible to all, Metropolitan Museum of Manila, is taking a new direction this year as it redefines itself with heightened focus on local and foreign contemporary art.
Curator of Met Museum’s Philippine Contemporary exhibit, Dr. Patrick Flores
Curator of Met Museum’s Philippine Contemporary exhibit, Dr. Patrick Flores
At the height of success of the Philippine brand of contemporary art–with more local artists’ works fetching critical acclaim and high demands in international art galleries, not to mention record-breaking performances in art auctions–the Met’s new board of trustees, with art publisher and educator Tina Colayco at the helm, revitalizes the 37-year old art institution to make it the country’s leading museum and resource center for Philippine contemporary art and design.
“Contemporary art transcends boundaries and language, that’s why for this museum [with a philosophy of bringing 'Art for All'], we felt that it would be an important strategy to really focus on contemporary art,” says Colayco.
The Met Museum, located inside the Bangko Sentral ng Pilipinas Complex, is responsible for the conservation of some of the country’s national treasures. Its basement gallery houses the pre-colonial gold and pottery artifacts as well as the religious images and objects produced during the Spanish colonization. It is now taking a different direction and wants to reach a wider audience.
“We want Met to be known for contemporary art,” says well-known art critic and curator Dr. Patrick Flores.
Nunelucio Alvarado’s Dahon Nga Dalitan (Makamandag na Mga Dahon) oil painting (1996).
Curated by Flores, The Philippine Contemporary: Scaling the Past and the Possible is a landmark permanent exhibition at the Metropolitan Museum which opened to the public last February 8. It encompasses a wide range of forms, from paintings, installations, visual culture and popular media such as comics, photography, film, and video.
The Philippine Contemporary is composed of permanent and temporary exhibits with around 200 art pieces coming from loans, Met collection, and BSP collection.
The sections in the permanent exhibition titled Horizon, Trajectory, and Latitude frame the contexts of modern and contemporary art from the early 20th century up to the present.
Two Fernando Amorsolo paintings from the BSP collection, works of the Philippines’ “Triumvirate of Modern Art” Victor Edades (1895-1985), Carlos “Botong” Francisco (1912-1969), and Galo Ocampo (1913-1983) and pieces by some of the 13 pioneers of modern art in the country are included in the exhibition.
The exhibit for the three permanent sections will run for a year.
Louie Cordero
Meanwhile two sections, Sphere and Direction, that will run for six months will represent the moving and evolving contemporary art.
A special presentation of contemporary art from the collection of Paulino Que will be on view at the lobby’s Tall Galleries to complement the permanent exhibition.
The Metropolitan Museum of Manila opens from 10 a.m. – 5:30 p.m., Monday to Saturday.
Friday, May 24, 2013
Art and Ale Episode 2
An evening of Conversations at Organised by Tad Arts
Date : Thursday 30th May 2013
Time : 4:00pm until 7:00pm
Venue: The Pint Room, 2nd Floor, Ambience Mall, Vasant Kunj, New Delhi
Niten Mehta in conversation with Chintan Upadhyay.
Limited Seats Available!
4pm - Welcome address by Niten Mehta
4.30pm - Beer & snacks
5.00pm - Conversations & Presentation Begin
5.45pm - Questions and Interaction
6.00pm to 7pm - Beer & Snacks
For further details or to book your attendance email us on rukmini@tadarts.in or niten@tadarts.in
Call us on +91 98100 42497
www.tadarts.in
Date : Thursday 30th May 2013
Time : 4:00pm until 7:00pm
Venue: The Pint Room, 2nd Floor, Ambience Mall, Vasant Kunj, New Delhi
Niten Mehta in conversation with Chintan Upadhyay.
Limited Seats Available!
4pm - Welcome address by Niten Mehta
4.30pm - Beer & snacks
5.00pm - Conversations & Presentation Begin
5.45pm - Questions and Interaction
6.00pm to 7pm - Beer & Snacks
For further details or to book your attendance email us on rukmini@tadarts.in or niten@tadarts.in
Call us on +91 98100 42497
www.tadarts.in
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