Things That Photographers Should Not Do

Every Photographer should be aware that in Photography, there is always a rule need to follow.
Every Photographer loves to take pictures, loves the photographs that they capture and loves what he/she does.  However, in every Rule, we must remember that there are some Exceptions.  And even how we love what we do, we must also be aware that in Photography there are things that we should do and should not do.


Here are some of the List of Things that Photographers Should Not Do:
Don’t spend too much time thinking about your gear.  Equipment is important, but it is not the core of photography.  It will not make you a better photographer.  Photographing makes you a better photographer.
Don’t leave your camera at home.  Always have a camera handy.  I can’t tell you how many times I’ve missed great opportunities due to a little laziness.
Don’t make a photograph using the same techniques every time.  Your work will stagnate —  a sure sign you are not growing as a photographer.
Don’t ignore the value of your copyright.  If your copyrights are not valuable, why are people working so hard to get them?
Don’t take every assignment.  Every photographer has its own unique talent.  Just because a job is offered to you doesn’t mean you should take it right away.  Think about it thoroughly.  Hence, you should examine your abilities and capabilities.  After all, this is all about your reputation.
Don’t try to do everything by yourself.  Hiring the right people to support you makes you look better.  Just because you can, doesn’t mean you should.  Focus on your photography.
Don’t fail to create an end.  Photographers need to separate themselves from the competition to survive.
Don’t ignore the math.  Are your expenses higher than your income? (You can’t make it up in volume). 
Don’t forget to plan in advance.  The more you plan ahead and prepare yourself, your team and equipment, the more successful the assignment or outing.
Don’t ignore Blogging.  Blogging helps people get to know you on a deeper level as a Photographer. It is also great for search engine optimization.
Don’t ignore social media. Social media is one of the best ways to share your images with the world.
Don’t place sensitive photographs on the web.  If you fear a photograph will be shared improperly or stolen for  use on the Web, don’t post it.
Don’t ignore other Lens options.  Don’t get too used to your favorite lens.
Don’t forget your tripod.  As much I don’t like using a tripod, it’s important for certain types of photography.  You never know when you might need it.
Don’t think you can fix everything in Photoshop.  Photoshop is  great tool but you need to start with great photography; it cannot fix everything.
Don’t believe you don’t really need Photoshop skills.  Today most images need some sort of correction or enhancement.
Don’t stop learning.  The day you feel you know everything about photography is the day your photography starts and begin.
Pictures and Photographs are one of the most valuable things we keep to remember those Persons, Events, and Moments of our Life.  So, as a Photographer, we better do our best in capturing those occurrence.

Women Paintings Vintage and Modern

Semi naked and fully naked paintings have always appealed. But modern times have shown that the artist's brush is less liberal when it comes to female size.

Some of the earliest paintings discovered have shown images of women, whether depicted as wives, lovers or indeed angels, semi-clad and showing areas of skin that would make most blush.

In history, most painters depicted their women as being buxom in build. Large hips, over sized breasts and even areas that most would consider to be covered up, large masses of hair were also on display. It was what was considered beautiful.

Paintings over a century or more ago also commonly displayed women with long dark hair. Very rarely were women painted sporting long blonde hair or red locks.

The medium used was usually oil. Facial features were strong and the women illustrated commonly wore robes, carefully draped over their contoured bodies and allowing just enough to send men’s pulses racing. Women would secretly appreciate the beauty that is a woman. Let’s face it; women’s bodies are far more attractive than a man’s.

Art holds no boundaries when it comes to painting nudity. The human body, whatever shape or size, is a work of God and that it should be appreciated and d considered art in itself. Greek painters from centuries ago enjoyed displaying men semi-naked or completely without shame. Their penis was on display, even if it wasn’t depicted as pornographic back then, the penis size wasn’t displayed as enormous. If anything, it was illustrated as being average in a flaccid state.

Artists were not afraid to display us in our full glory. Men or women, artists in history would air their brush strokes over what was acceptable and considered healthy and beautiful. However, as we move into more modern times, the majority of semi-naked paintings, especially of beautiful women, display a much leaner look than when compared to paintings of the past.

Years ago, the vision for a healthy woman was medium to large. Men saw women with a strong bone structure, large hips, huge breasts and a rounded backside, to be the type of woman that would bear children and survive. Beauty was depicted by size and the contoured flow of a woman’s skin.

Nowadays, with society driven towards the more modern look of being slim, is primarily down to health issues that surround the size and weight of a person. No longer is large or big considered healthy as science has proven. But the slight looking, gentle curvaceous appeal is compounded by the media urging women that less is more.

In today’s modern paintings, whether oil, water based, acrylic or sculptures, women are now much slighter in build. Breasts are smaller, hips are less dominating and buttocks are slight but shapely. Also, hair is a mixture of colors, ranging across the spectrum. Vaginal hair is also now missing or very little is on display apart from a neatly cut design that is classed as appealing and erotic.

The concept of showing women semi-naked today is indeed very similar as history has proved. The robe or free flowing gowns showing areas of a woman’s body just enough to tease are still there as they were centuries ago.

But with the conformity that women should be seen as being gentler, fragile and slim lined, it appears artists across the world have taken on board the science behind large versus skinny and less brush strokes are apparent.

Either way, art is to be appreciated and whatever shape or size of the woman or man painted, the human body is a master of artwork personified.

Bid for ornamental Art

In Gregorian calendar month last year, Pundole’s — of Pundole room in Kala Ghoda — command their inaugural auction, providing “a cluster of paintings from the gathering of the National Centre for humanistic discipline (NCPA), comprehensive of the gift from the Estate of the late Jamshed Bhabha”. Six months later, they command another auction, now “property from the Estate of Bhabha”, including silver, furniture, carpets, paintings and sculptures. The third auction, in January this year, was one among Indian art, as well as miniatures from the Estate of Bhabha.

Now, on August twenty seven and twenty eight, Pundole’s can conduct their fourth auction. This one, however, has additional to supply than any of the previous editions. A “fine and ornamental arts sale”, the auction can embrace property from the estate of Bhabha further as things from variety of alternative non-public homes, as well as property from the Estate of Noshir Nanporia.

Among the varied objects on provide area unit sculptures from second century onward, Asian and European ceramics, miniature paintings, trendy Indian art, Japanese scrolls, silver, textile, furniture, glass and Tanjore faculty paintings. one among the highlights of the auction may be a cluster of antiquities from Bhabha’s personal assortment, that embrace 2 items of Gandharan sculpture, many items of stone from Central Asian country and a thirteenth century bronze Saint Sambandar, which is able to even be up available.

Art of Living Campaigns for Tamil Refugees

The Art of Living has launched a vast signature campaign to press the Centre to offer Indian citizenship for Sri Lankan Tamil refugees in varied camps in Madras.

The arrange is to gather one large integer signatures to champion this cause at each AoL Centre in Madras, which might be submitted to the authorities involved in forty five days, to require immediate action, Krishnachander, President of state chapter of AoL, shaped by Sri Sri Ravishankar, told reporters here these days.

He aforementioned the Indian government has denied citizenship to over one 100000 Sri Lankan refugees 'languishing' in over one hundred camps in Madras since 1983, United Nations agency still live below pitiable and controlled conditions.

Stating that Sri Lankan Tamils, United Nations agency had fled to USA and Europe area unit leading a dignified life, with jobs, homes and businesses of their own, he aforementioned the Indian Government has time and once more granted citizenship to refugees from near  countries like Bangladesh.

He recalled that the then Chief Minister M Karunanidhi had proclaimed his government would take up the difficulty with the Centre once an identical campaign was launched in 2009.

However, no progress had been created since then and therefore the issue was being concerned once more on seeing the plight of Tamils, Krishnachander aforementioned.

Indian expo Makes a Rare Stop in China

It is aforementioned that 2 thousand years agone, 2 clergymen brought the primary Buddhist scriptures from Asian country to China on the rear of a pure white horse.


China initial absorbed India’s faith, and then, within the nineteenth century, its narcotic and cotton.

But for the past time period, China and Asian country, the world’s most thickly settled nations, are uncomfortable neighbors. A war in 1962 followed by decades of tension over their borders have created very little however mutual suspicion.

There is no band aid for these established  issues, however there area unit murmurs of a widening dialogue between the 2 nations, a minimum of on the cultural front.

As with those Buddhist scriptures millennia agone, paintings lined in bindis, sculptures crafted within the article of furniture markets of Bombay and miniature cities bent from the metal of India’s scrap plenty have traveled east and moved  into the Ullens Center for modern Art here, one among the foremost outstanding modern art museums in China.

The show, “Indian road,” was created in conjunction with the curved  Gallery in London. It options twenty nine artists and one hundred thirty individual items. A traveling exhibition, it initial was staged in London in 2008, however at each stop it's been reincarnated, with new works, artists and curators, and redesigned to include components associated with the host country.

This is the most important show of art from Asian country to ever create it to China, wherever any show of culture from Asian country is rare.

Phil Tinari, director of the Ullens Center, invited the curved  to bring “Indian Highway” to China presently once turning into director late last year. Mr. Tinari then traveled to Old Delhi, Bangalore and Bombay in January and Feb with the humanities center’s founder, Guy Ullens, to put the groundwork for the exhibition.

The show isn't while not its controversies. Westerners typically praise Asian country for having a democratic government, in distinction to China’s authoritarian rule, however Indian officers succeeded in having a bit off from the exhibition for political reasons. At AN Indian Ministry of External Affairs conference in Old Delhi last month, a representative confirmed that officers had asked the Ullens Center to get rid of “I Love My Asian country,” a piece by Tejal monarch, as a result of its “politically disputed overtones.”

In the work, the creator plays back recordings of individuals at AN amusement truthful being asked what they think about the slaughter of Muslims by Hindu extremists in Gujarat State in 2002. a number of those interviewed darned official corruption and therefore the failure of democracy for the many deaths.

The Indian Embassy in Peking has typically been collateral of the show. It got 2 of the artists to come back to China and helped to search out sponsors.

“There was really no method that this may happen on the next official level at this moment,” Mr. Tinari aforementioned at the gap on St John's Day. “It’s a really complicated and multifarious relationship, and on the Indian aspect there's a less formal developed equipment for this sort of exchange.”

The works were largely gathered in Rome, wherever the last installation of “Indian Highway” was shown, and shipped from there. Mr. Tinari aforementioned that more challenges in transferral the exhibition to China were its size and a broad inquiry by Chinese officers into the importation of art.

“In the tip, the cargo arrived on our premises simply three-and-a-half days before the gap,” he said.

From 2006 to 2008, the Arario Gallery here and therefore the Shanghai deposit of latest Art every command a gaggle exhibition of Indian artists. Between those years Arario sold-out thirty Indian works valued at a complete of $2.5 million to Chinese consumers, however interest from Chinese collectors then seemed to dissolve. Artists and museums hope that “Indian Highway” can rekindle the flame.

“I’d needed to go to China for a protracted time and move with folks,” aforementioned Dayanita Singh, one among the artists United Nations agency visited China for the gap. She more that she hoped to try to to some add China.

But despite the art world’s enthusiasm for such cultural exchanges, the exhibition has aggravated mixed reactions in China. Relations between the world’s largest democracy and its most thickly settled autocracy area unit beset by competitive anxieties. A military race is happening in parallel to AN economic one. The media in each nations weigh in vocally.

This sense of competition isn't any less evident once it involves art. Last year, a piece of writing with the headline “China method earlier than Asian country in modern art” appeared within the Economic Times of India; a Chinese translation was later announce on many net forums.

In a piece of writing regarding this exhibit, the state-run Peking News asked: “Will Indian art overtake China’s?” One Chinese net user wrote on a microblog that the exhibit showed that “between our countries, there's underlying however fierce competition.”

Some in China disturbed that Guy and Myriam Ullens, the founders of the art center here and homeowners of a very important assortment of Chinese art, were shifting their interests from Chinese to Indian art. Last year they place one zero five Chinese items up for auction, whereas many of the works on show in Peking area unit Indian additions to their assortment.

Dinesh Vazirani, director of the web business firm Saffronart, aforementioned such fears were “interesting however strange,” noting that Chinese art accounted for forty one % of worldwide auction sales last year, whereas Indian art accounted for fewer than common fraction. He aforementioned the competition was additional “psychological.”

For the Indian artists United Nations agency traveled to Peking, like Ms. Singh and Sudarshan Shetty of Bombay, the show wasn't AN expression of group action however an endeavor to form cultural connections.

One work that captured the theme of dialogue was “Being Chongqing” by Hetain Patel, United Nations agency was born in United Kingdom of Great Britain and Northern Ireland. Mr. Patel collaborated on the work with the Chinese creator Ren Qian, whom he met throughout a residency in China in 2009.

Both artists seem on an individual basis on a split screen during a video recorded at 2 completely different locations. Mr. Patel mimicked the gestures and speech of mister. Ren as every created hand motions and browse constant words from a bit of paper.

The piece was meant to question the foundations required for society dialogue.

Many of the works conjointly demonstrate a political policy less common in art from China: A video of India’s map that's redrawn one hundred times reminds US of India’s territorial tensions.

“We Chinese area unit stronger and additional powerful, however you'll see India’s sense of public political discussion is deeply felt in several of the works here,” aforementioned a Chinese student visiting the exhibition United Nations agency gave her name as Lili.

She created the comment before the work “I Love My India” was removed, as she stood a couple of feet faraway from the video.

Hans Ulrich Obrist and Julia Peyton-Jones, administrators of the curved  Gallery in London, aforementioned the exhibition wasn't meant to showcase variations between the strengths of Asian country and China. however maybe that was inevitable in any dialogue regarding the 2 nations.

“It {is important|is vital|is terribly important} to seem at the very completely different culture that exists in China and Asian country,” Ms. Peyton-Jones aforementioned. “If art is that the key expression of liberal culture, it might be clear that Asian country is that the place to seem to for lessons of hope for the democratisation of China. however astonishingly, it's China that has designed up a powerful culture of art establishments.” In any case, each countries area unit cultivating robust links within the art world, she said. “It is simply an issue,” she said, “of once this can happen as a group.”

Art with an Indian Heart

One of the long running art shows within the town, Harvest is back to celebrate its twelfth year. This edition focuses on Indian modern art with a generous dose of social group and miniature art. “Each year we have a tendency to area unit terribly selective regarding showcasing artworks for this annual show,” says Payal

Kapoor, conservator of the show. She adds, “This year we have a tendency to area unit  showing however Indian art matured over the years and sculpted it’s own identity. The works chosen have clearly Indian attribute.”

From connecting art with poetry and cinema to portraying the importance of cash below throughout recession and portrayal the sensitive issue of 26/11, the exhibition has return a protracted method within the last eleven years. The exhibition has 5 sections - Abstract, Modern, modern Indian Art, Sculpture and Photography that showcase works of seventy artists from round the country.

Most attention-grabbing at the show area unit miniature artists like Chhotu Lal from Rajasthan and Mahavir Hindoo from Bikaner whose works area unit displayed beside veterans like medium frequency Husain, SH Raza and Arpana Caur. “We attempt to add a replacement part to the exhibition each year. Last year we have a tendency to displayed video installations, this year we've created a special effort to showcase social group and miniature art,” says Kapoor.

The only social group creator whose works area unit place up at the show is Dhavat Singh from Madhya Pradesh. Singh’s paintings mirror the connection between nature and life on canvas. the colors vary from muted blues, greens and browns to a liberal dose of black and white. Chicago primarily based creator SV avatar Rao’s abstract painting of Krishna with Gopikas is additionally being showcased below Indian trendy Art for the primary time. “We anticipate to the time once social group art are going to be displayed aboard
modern modern art round the world,” says Suneet Chopra, co-curator.

The art items, displayed at the continued exhibition, vary from R75,000 to three lakhs.

First timers at Harvest

* Krishna With Gopikas, abstract by Chicago primarily based creator and Padmashree recipient SV avatar Rao.

* This acrylic on canvas by initial timer, Dhanvat Singh from Madhya Pradesh depicts the cycle of life.

* Sufi Saints sitting below a tree, miniature painting by Mahavir Hindoo from Bikaner. Miniature is a component of Harvest for the past 2 3 shows.